"Can I also just give a shoutout to Bridget and Jake Bordeaux on their epic narrating skills. These two are so amazing at bringing a story to life and this book was no exception to the others by them that I have listened to. These two really capture the characters’ personalities in their narration and I cannot get enough of it."
"You know what makes this amazing read better?!?! A freaking bomb set of narrators who give each character their own personality and their own feel. They do so amazing with Voices and getting all the feels so you are completely immersed in the whole story."
"The audiobook narrators did such an amazing job bringing these characters to life. The production was so well done & and I could not put my headphones down."
"So anything Bridget and Jake narrate I will listen to. Oh you guys are reading parking tickets today? Done. I’m here for it."
"WOW! Word of advice, listen in public with caution to this audiobook. Bridget and Jake Bordeaux do such an outstanding job of bringing all of these characters to life. These two are seriously talented. Both do such a wonderful job of adjusting their voices to each character."
"Jake and Bridget blow my mind everytime I listen to their voices and this time is no different, they just bring the characters to this world and give them the life they deserve."
"I’m dying for the audiobook of book 4 to release, and I guess I will just have to sit miserably and wait. Yes, I want it that badly. Bridget and Jake narrate things so well, that waiting for the audio, even for a series I absolutely love, is worth the wait. Nothing compares to their narration for me anymore."
"The narrators take amazing story lines and just add that extra punch to the heart. They add so much inflection it could almost be a picture-less movie. Their ability to make the books they read come to life is award worthy."
· Fill out the interest form
· Email us at email@example.com to check availability
Reach out ASAP. We’re often booked out up to a year in advance.
(pfh = Per Finished Hour/Approximately 9,300 words)
Rates may be subject to change if the project requires additional narrators, sound effects, specialty dialects, significant research, and/or a condensed time frame.
Solo: One narrator narrates the entirety of the book.
Dual: Two narrators. Each narrator records all content in their assigned POV chapters.
(EX: Narrator A reads all female POV chapters and Narrator B reads all male POV chapters.)
Duet: Two narrators. Each narrator records their assigned POV chapters’ narrative and all assigned characters’ dialogue throughout the book.
(EX: Narrator A records all female POV narrative and assigned female dialogue in other chapters. Narrator B records all male POV narrative and any assigned male dialogue in other chapters.)
Multicast: Multiple narrators. Each narrator is assigned to narrate for one or more characters’ POV and dialogue throughout the book.
(EX: Narrator A records Jane’s POV narrative and dialogue; Narrator B records John’s POV narrative and dialogue; Narrator C narrates Tim’s POV and dialogue, etc.)
Private Contract: Bordeaux VO provides the contract and delivers final files directly to the Rights Holder to use at their discretion.
Production Company: Authors can request us as narrators through several production companies. (Pink Flamingo Productions, Blue Nose Audio, Podium, Findaway Voices, One Night Stand Studios, Tantor Media, etc.)
ACX.com: Audiobook distribution through Audible, Amazon, and iTunes.
1. Contract is signed. Recording dates are set at this time.
2. Rights Holder provides a manuscript and returns the completed Bordeaux VO character information sheet.
3. The manuscript is prepped for recording and character samples are submitted to the Rights Holder for approval.
4. Primary recording.
5. Editing begins. For duet, this process includes splicing and time consolidation.
6. In-house proofing. Recordings are initially run through proofing software then again with a human proofer.
7. Narrator(s) completes “pick-ups” to fix mistakes found during proofreads.
8. Files are sent to a sound engineer for mastering.
9. Initial files are delivered to the Rights Holder for final proofing.
10. Last round of “pick-ups” are completed and remastered.
11. Final files are delivered to Rights Holder.
Total production time is 5-10 weeks, dependent on length of manuscript.